
The Taj Mahal (1632 – 1643), Monument to Love and a stunning work of art, even with one of its minarets being restored.
The Mughal Emperor Shah Jahan is probably the best known of the Emperors. He reigned from 1628 – 1658, a short 30-year reign. But during his reign he would also commission a grand number of buildings across the capitals of the Mughal Empire; during his reign, Mughal architecture reached its zenith.
His most important architectural legacy is also one of the famous buildings of all time – the Taj Mahal. The building is so well-known not just because it is simply breathtaking in its beauty, but also because it was and still is the world’s greatest Monument to Love.
Betrothed from birth to Shah Jahan, Arjumand Banu Megum was finally married to him in 1612. She was his second wife, though they were very much in love. She hailed from the same Persian family as Nur Jahan, her aunt and the Emperor Jahangir’s beloved wife.
Upon being married, she was conferred the title “Mumtaz Mahal” – “Chosen One of the Palace”. Shah Jahan’s name itself was a regnal title which (fittingly) meant “King of the World.” His own name was Prince Khurram.

Emperor Shah Jahan with his three sons and father-in-law, c. 1628. [Public Domain.]
Shah Jahan would never recover from his grief. In 1632, he commissioned the building of the Taj Mahal on the banks of the Yamuna River. It would only be completed in 1643, and it would be the grandest of all Mughal structures, the pinnacle of Mughal Architecture.
The Taj Mahal is one of the few great Monuments of World Heritage that truly lives up to expectations. Even though it is one of the most regularly-represented monuments in the media, nothing quite prepares one for a visit in person.
The gleaming white marble, seen from afar, takes one’s breath away. And as one approaches the structure, the details of the ornamentation – particularly the Mughal predilection for flora – begin to emerge from the marblework, such that one is quite overwhelmed by beauty.

Bird’s Eye view of the Taj Mahal and the Mehtab Bagh (across the Yamuna River), 1790 – 1810. [Public Domain.]
The Mehtab Bagh (Gardens of Moonlight) is a Persian-style garden laid between 1631-1635 by Shah Jahan (around the same time as he had commissioned the Taj) on a site that had been earlier made into a garden by the Mughal Emperor Babur. As the name suggests, this is the place to view the Taj Mahal by moonlight, and one can only imagine…on clear, starry nights with a full moon, the etheral white form of the Taj Mahal, reflected in the still waters of the Yamuna River.
Quelle belle rêve!
The Taj Mahal

The Main Gateway, or Darwaza-i-rauza.

View of the Taj.

Approaching the Taj, set in Persian-style gardens.

Taj from the lawns

Taj and sky…

At the foot of the Taj…

The entrance to the marble mausoleum. Note the band of Arabic in thuluth script.

Close-up of the entrance to the cenotaph.

Tourists resting by the entrance. The ornate decoration on the walls derive from Persian antecedents.

Detail of floral relief, and inlaid floral band.

View upwards of the entrance alcove.

The cenotaphs of Shah Jahan and Mumtaz Mahal. These aren’t the actual tombs – the actual ones are at a lower level.

Emerging from the mausoleum.

Side view of the Taj…

The Mosque, mirrored with the memankhana (or Guest House) on the other side of the Taj.

Ceiling, mosque.

Detail of floral relief, mosque.

Museum on the grounds of the Taj.
Mehtab Bagh

Corner chhatri, Mehtab Bagh.

Approaching the Taj…

Panoramic view of the Taj and its two accompanying buildings, across the Yamuna River.

The Taj from the Mehtab Bagh.
The Old City

Delhi Gate, Old City.

Chhatri, Jami Masjid, Old City.

The Jami Masij (1648) was commissioned by Shah Jahan and Mumtaz Mahal’s loving daughter, Jahanara.

And finally, a backward glance at the Taj…
Essential Reference:
- Agra – The Architectural Heritage. An INTACH Roli Guide. By Lucy Peck, 2008. New Delhi: Lotus Collection – Roli Books.